Annual Grad Student Symposium

2024 Grad English Symposium; Live Online Saturday April 27, Noon Eastern

On Saturday April 27 the MA program will be hosting its annual “Writing Image Text” or “W.I.T.” Graduate English Symposium. The event will be held on Zoom. We will begin at noon, eastern time. The length of the event will depend on how many of our grad students will present, but usually it runs for a few hours.

This call for papers (CFP) is limited to current students in the program. Active students who want to attend but not present, as well as alumni, prospective students, faculty, family, guests, etc., are all very welcome and encouraged to attend as audience members. The deadline for responding to this CFP and declaring as a presenter is the end of Saturday, April 6.

The symposium is a casual mini-conference at which active MA English students can read aloud a scholarly or creative work. A paper that you’ve written for any of your MA courses would do just fine. Full instructions and guidance for presenting will be shared with presenters after April 6. The symposium is also a community event at which you might see/meet fellow grad students, program professors, alumni, and others in the MA community.

Graduate students and professional scholars often attend and read at local, regional, national, and international conferences, so this symposium provides a friendly small-scale introduction to the conference experience. And for anyone who reads a paper, it becomes a line-item that you can list under the scholarship section on your CV (click here to read more about the CV).

Anyone planning to attend this year’s WIT symposium, as presenter or audience member, please indicate as much by sending an email to cloots@mercy.edu no later than the end of Saturday, April 6. And please use the subject line “WIT Symposium 2024” for your email. Zoom info will be sent out after April 6 to everyone who RSVPs.

You can read about some of our previous symposiums on the blog here, and here, and here, and here, and here. On behalf of the MA faculty: we hope to see you all there! Please contact cloots@mercy.edu if you have any questions about any of this.

Annual Grad Student Symposium, Course Information, Course Schedules

Fall (and Summer) 2024 Course Offerings; Also, Preliminary Grad Student Symposium Info

First please note that the annual Graduate English Symposium will again this year be held on Zoom, in order to accommodate our students at a distance. The date hasn’t been finalized yet but it will likely be near the end of April, and likely on a Saturday. A post with further information and details, including the call for presenters, will be coming soon, so stay tuned to this blog for more on that.

The fall (and summer) 2024 schedules will be appearing soon in Mercy Connect. Many of our students don’t take summer courses, whereas all of our students take fall and spring courses, which is why I’m privileging fall here in my phrasing. It’s also why we offer just a few summer courses. Fall and summer registration will open for veterans on Monday, March 11. General registration will open for all students on Monday, March 18. Registration normally opens at or around 9am, eastern (it begins when the Registrar’s Office opens and they activate the reg system).

Specific book info will be coming later, and some of these descriptions will change as professors refine their courses over the months ahead.

The five fall 2024 course offerings are:

  • ENGL 500 Theory and Practice of Lit Criticism1 (Dr. Kilpatrick)

An introduction to some of the major movements and figures of the theory of criticism. The question “what is literature?” is a primary concern of this course. Such an inquiry necessarily engages other, closely affiliated signifiers such as work/text, writing, reading, interpretation, and signification itself. After brief encounters with ancient antecedents and seminal moderns, influential contemporary approaches to the question concerning literature and its cultural significance are engaged. An assessment of the relative strengths and weaknesses of current trends in the practice of literary criticism, and their theoretical groundwork, is the ultimate objective of this course. Fulfills the requirement for ENGL 500.

  • ENGL 505 Transformations of the Epic (Dr. Sax)

This course is based on the conception of the epic as an encyclopedic narrative of substantial length featuring a central figure who reflects the values of a particular culture. It will proceed chronologically, studying the taxonomy and transformations of the epic, from its earliest Classical manifestations, through its emergence in Medieval and Renaissance texts, to its incorporation after the Renaissance into modern writing. Fulfills the Writing & Literary Forms requirement or an elective.

  • ENGL 525 Victorian Age in Literature (Dr. Dugan)

If one were asked to define the timeline of Victorian literature, one might be hard-pressed to do so. As literary genres are fluid, it is hard to determine when the Romantic Period ends and the Victorian Period begins; and when the Victorian Period ends and Modernism begins. Whatever the dates, a defining characteristic of Victorian England would be change, change matched with a belief in progress: societal, religious, economic, and artistic. While some benefited from these changes, others did not. The semester we will look closely, through Victorian literature, at issues that challenge the notions of change and progress, notably the role of women, industrialism, gender roles, and poverty as shown in fiction, poetry, and drama of the Victorian age. Fulfills a Literature Group 1 requirement or an elective.

  • ENGL 543 American Renaissance (Dr. Loots)

This course will study representative American writings from “The American Renaissance,” a period during the mid-nineteenth century (roughly 1832 to 1865) which saw the rise of the first truly non-Colonial, non-Revolutionary body of national literature; a literature which no longer concerned itself with European precedent, engagement, or approval. When F.O. Matthiessen coined the term “The American Renaissance” in 1941 he did so in light of five monumental American works by five different writers, all produced within five years (1850-55): Emerson (Representative Men), Thoreau (Walden), Melville (Moby Dick), Hawthorne (The Scarlet Letter), and Whitman (Leaves of Grass). Since Matthiessen’s time the notion of an American Renaissance has expanded to encompass a greater diversity of representative works, writers, and perspectives from this era. In this course we’ll study selections from across the American Renaissance, most likely engaging works by: Harriett Jacobs; Frederick Douglass; Harriet Beecher Stowe; Frances Harper; Sojourner Truth; Margaret Fuller; Sara Willis (Fanny Fern); as well as Emerson, Thoreau, Whitman and Melville.  Fulfills a Literature Group 2 requirement or works as an elective.

  • ENGL 560 Tilting at Windmills: Riding with Don Quixote and Sancho Panza though 16th century Spain2 (Dr. Reissig-Vasile) [Note: if you use the Mercy schedule-planning tool, the title for 560 will show as “Topics in American Literature.” Ignore that title, it’s just a generic place-holder title in the planning tool. The real title is the one in Mercy Connect, Tilting at Windows]

It is often said that the long and tangled history of the modern novel begins in Europe, and it begins with Cervantes.  Through a close reading and analysis of Cervantes’ literary masterpiece, Don Quixote de la Mancha (which many readers, including many authors, consider to be among the greatest works ever written), we will explore this issue and many others.  The course will focus on questions of literary, linguistic, cultural, and historical heterogeneity in Don Quixote. We will seek to understand why so many celebrate Cervantes for teaching us “to comprehend the world as a question.”  We will explore the polemics of 16th century Spain and how Cervantes used Don Quixote to raise ethical issues relevant to his time. Fulfills a Literature Group 2 requirement or works as an elective.

And for those nearing the end of the program, note that ENGL 599 Master’s Thesis is a one-on-one tutorial that needs to be taken during your final semester. You don’t enroll in 599 as you do a normal class. Check out this page on the blog for more about 599 and how you enroll in it.

The two summer 2024 course offerings are:

  • 509 Perspectives on the Essay (Dr. Keckler)

[Updated description 2/26] The course will study of the essay as a distinct literary genre; its characteristics, types, and structures; its history; and its role in reflecting authorial consciousness. This course will focus in particular on the personal essay and sub-genres such as nature writing, cultural criticism, travel writing, and academic-personal essay hybrid forms. Fulfills the Writing & Literary Forms requirement or an elective; can work in other ways, as needed, for the degree, by request.

  • 540 Monsters2 (Dr. Dugan)

In this course we will read classic and contemporary literary works to explore notions of monsters and monstrosities from the perspectives of the monster and the creator. Historical, societal, political, and cultural issues will be explored and addressed. Types of monsters and monstrosities will also be considered: e.g. human, beast, and scientific. Fulfills a Literature Group 1 field requirement or an elective by default; can work in other ways, as needed, for the degree, by request.

1 ENGL 500 runs once a year, in the fall, and because it’s a requirement for the MA degree seats are locked and reserved for students who are on track to graduate prior to fall 2025. Students who have not taken it already, and are on track to graduate prior to fall 2025, can get a seat by contacting the program director at cloots@mercy.edu. Students who are on track to graduate in fall 2025 or later can still contact the program director requesting a seat in the fall 2024 instance, but will be prioritized behind students who must have the course this fall to graduate on time.

2 ENGL 540 and 560 are numbers by which we run a variety of new or experimental coursework. Students can take multiple instances of ENGL 540 and 560, as long as they’re not taking the same course with the same title twice. So for example a student who took 540 Fairy Tales last summer can take 540 Monsters this summer because those are different courses, even though they both use the 540 number; likewise, students who took 560 African and Caribbean Lit last fall can take 560 Tilting at Windmills this fall.

Course Information

Book Info for Spring 2024

Below are some details about book orders for spring 2024 courses. This is a work in progress, as professors are still considering materials for the spring. The list will be updated throughout December and January as further details are provided by professors. In many cases professors will be providing materials within the course in the form of PDFs or links, so the book listings below won’t always tell the whole story of what materials/texts students will encounter during the semester.

ENGL 508 – History of Drama in English (Dr. Kilpatrick)

  • Gainor, J. Ellen, et al, eds. The Norton Anthology of Drama, Third Edition (Two-Volume Set). Norton, 2017. ISBN: 9780393283495. [Please note, this includes Vol 1: ISBN: 9780393283471 and Vol 2: ISBN: 9780393283488.]

ENGL 515 Hispanic and Latino Literature (Dr. Reissig-Vasile)

  • Garcia, Cristina.  Dreaming in Cuban . Ballantine Books, 1993. ISBN: 978-0345381439.

ENGL 524 From Reason to Imagination (Dr. Sax)

  • Bacon, Frances. Francis Bacon: The Major Works (Oxford World’s Classics). Oxford University Press, 2008. ISBN: 0199540799.
  • Blanning, Tim. The Romantic Revolution: A History. Modern Library Chronicles, 2010. ISBN: 9780812980141. 
  • Clarke, Susanna. Jonathan Strange & Mr. Norrell. Mass Market Paperback, 2006. ISBN: 0765356155.  
  • Hoffmann, E. T. A. Tales of Hoffmann, trans. R. J. Hollingdale. Penguin, 1982. ISBN: 9780140443929.
  • Shelley, Mary. Frankenstein. Dover, 1994. ISBN: 0486282112.
  • Thomas, Keith. Religion and the Decline of Magic. 2 ed. Penguin, 2012. ISBN: 0140137440.

ENGL 541 Search for Identity in American Lit (Dr. Loots)

The books listed below are recommended but not necessarily required. It will be possible to navigate the semester without purchasing these specific books by locating versions of the assigned readings online or in a library. And I will provide PDFs of some of the shorter readings from the Norton, as much as I am allowed. Still, if you’re focusing on American Lit during your MA studies, or want to be on the exact same page as I, or just want to build up your library with quality books, I highly recommend purchasing these:

  • Hurston, Zora Neale. Their Eyes Were Watching God. Amistad 75th Anniversary edition, 2006. ISBN: 978-0061120060.
  • Levine, Robert, et al., editors. The Norton Anthology of American Literature, Shorter 10th Edition (Two-Volume Set). W.W. Norton, 2022. ISBN: 978-0393884449.

ENGL 546 Working Women in the USA: 1865 to Present (Dr. Gogol)

  • Dreiser, Theodore. Sister Carrie. Vintage Classics, 2021. ISBN: 9780593314883.
  • Oates, Joyce Carol. Marya: A Life. EP Dutton, 1986. ISBN: 9780062269218.
Red Hyacinth Journal

Creative Writers and Artists Take Note! 2024 issue of Red Hyacinth Is Now Accepting Submissions

The Mercy University literary/arts journal Red Hyacinth is now accepting submissions of creative writing, photography, and images of other original studio arts for it’s 2024 edition. For submission guidelines and instructions, please click here. This is a great opportunity for MA students and alumni to get your creative work considered for publication, and potentially to see it in print in a perfect-bound hard-copy journal.

Course Schedules

Spring 2024 Course Schedules and Registration Info

General registration for spring 2024 is scheduled to open on Wednesday November 1. Priority registration, which in the graduate program tends to apply only to veterans, is scheduled to open a week earlier on Wednesday 10/25. These dates could change if the Registrar needs more time, but as of now, those are the dates. Registration usually opens at 9am eastern. The following five courses will be on the spring schedule. Each will begin with 14 seats, and once a course is full, students will need to pick from whatever other courses still have seats. So, if you see particular courses you hope or need to take, set an alarm!

  • ENGL 508 – History of Drama in English (Dr. Kilpatrick)

This course will study select dramatic works with an eye to the cultural and historical contexts from which those works emerged. It will use a chronological approach, exploring for example the development of drama in medieval English mystery cycles and morality plays; moving on to the emergence of secular drama in the 16th and early 17th century; proceeding to precursors and contemporaries of Shakespeare; moving onward into Restoration drama, and the development of sentimentalism; then exploring the adaptation of drama to an increasingly middle class audience in the 18th Century; and finally tracing the further development of drama through the 19th and 20th centuries. Fulfills the Writing & Literary Forms requirement or an elective.

  • ENGL 515 Hispanic and Latino Literature (Dr. Reissig-Vasile)

The terms “Hispanic” and “Latino” refer to people living in the United States who have roots in Spain, Mexico, Latin America, South America, and/or Spanish-speaking Caribbean countries. In this course we will experience the literature of various Hispanic and Latino/a authors, and through such study will explore some of the many themes, styles, and social concerns of such authors. Among other things, we will consider what these works have to say about gender, race, class, diaspora, bilingualism, violence, and community. Our readings will focus on short stories and poetry, but could also include novels. All such works will emerge from various Hispanic and Latino/a groups, including Chicanos, Puerto Ricans, Cuban Americans and Dominican Americans. Fulfills an elective by default but can work as a Literature Group 1 requirement if needed, upon request.

Note that students who are taking ENGL 515 Latin American Literature this fall can take this ENGL 515 course in the spring because although the titles look similar, they are in fact two different courses; read the notes at the bottom of this blog post for more on this.

  • ENGL 524 From Reason to Imagination (Dr. Sax)

This course studies a range of literature emerging first during the Enlightenment, and then during the subsequent Romantic era, with attention to Neoclassicism, among other things. Students will explore and consider some of the tensions between and informing these different eras and literary movements, will consider ways that these eras and movements relate to one another, including how the Romantic era and its emphasis on imagination emerged to some degree as a response to the Enlightenment and its emphasis on reason. As such, particular attention will be paid to the historical contexts from which the literature of these eras emerged, and to the role of reason and imagination in literature, history, and life. Fulfills a Literature Group 1 requirement or works as an elective.

  • ENGL 541 Search for Identity in American Lit (Dr. Loots)

This course will study the search for identity, individually and collectively, as it manifests in American (United States) literature from Colonial times through the turn of the twentieth century. Attention will be paid to the rapidly changing historical/cultural contexts from which such literature emerged, as well as to different literary movements emerging in America over the eras studied (e.g. Colonial, Revolutionary, Romantic, Realist, Modern). Part of the goal of the course is to provide students with a foundation of American literature, and with an understanding of the foundations of literature in America. Another goal is to recognize just how vast and diverse the literature of America is, as well as how vast and diverse are the definitions of what it has meant, and means, to be “American.” Readings will likely include works by Anne Bradstreet, Edward Taylor, Olaudah Equiano, Jonathan Edwards, Thomas Paine, Alexander Hamilton, James Madison, Phillis Wheatley, Philip Freneau, Poe, Emerson, Margaret Fuller, Whitman, Frederick Douglass, Henry James, Charlotte Perkins Gilman, Charles Chestnutt, W.E.B. Du Bois, Paul Lawrence Dunbar, and Zora Neale Hurston. Fulfills a Literature Group 2 requirement or works as an elective.

  • ENGL 546 Working Women in the USA: 1865 to Present (Dr. Gogol)

This course will examine writings about and by working women from the post-Civil War era to the present. We will review key changes in the American work force, as well as some of the relevant social, economic, and racial factors since 1865, with attention to movements leading up to and informing the cultural and social changes happening between 1865 and today. We will use literature to help us deconstruct the definitions of “women,” “working,” and even “The United States.” We will inquire into the shifting definitions of the term “gender” and explore the differentials of power and opportunity within the word and concept. One of the course’s goals is to explore some of the contradictions and tensions involved in such an inquiry, as well as to explore the history and benchmarks of major events in the lives of women in the USA since 1865. Fulfills a Literature Group 2 requirement or works as an elective.

  • A few notes about ENGL 515 and ENGL 599:

ENGL 515 is what we call a shell number, meaning we run a variety of coursework under that same number. Students can take multiple instances of ENGL 515 as long as they’re not taking the same course with the same title twice. So for example a student could take ENGL 515 Hispanic & Latino Lit, and ENGL 515 Latin American Lit, and ENGL 515 Animals in Lit, because those are three different courses, indicated by their three different titles.

ENGL 599 Master’s Thesis is not listed on the semester schedule and students do not enroll in it in the normal way. All students need to take 599 during their final semester in the program. If spring will be your final semester, click here to read up on how you enroll in a 599 section.

Course Information, Course Schedules

Quick poll to help determine the fifth and final course for the spring schedule

The spring 2024 schedule is mostly set. Unless things change the schedule will become visible in Connect on 10/18, priority registration for veterans will begin on 10/25, and general registration will begin on 11/1. The four courses which will be scheduled for sure are:

  • ENGL 508 History of Drama
  • ENGL 515 Hispanic & Latino Lit
  • ENGL 524 From Reason to Imagination
  • ENGL 546 Working Women in the USA

Then the fifth course will be one of the following: The American Renaissance, or Search for Identity in American Lit, or Hemingway / Modern Cryptography. Click here to read descriptions for those courses.

We invite students in the program who will be taking courses in the spring to vote below to indicate your preference (please only vote if you will be taking courses in the spring, and please only vote once, so that we have an accurate measure of genuine interest):

Career Advice, Red Hyacinth Journal, Student News

Red Hyacinth Literary Journal: Grad-Student Editors Needed!

About Red Hyacinth:

Red Hyacinth Journal is an annually published, perfect-bound literary magazine that showcases the writing and art of Mercy University students and alum. The journal’s first issue was produced in 2018 through the generosity of the family of the late Professor Valerie Lewis, a former instructor in the English program, and named for her favorite flower. Over the past several years, Red Hyacinth has featured the diverse creative work of hundreds of graduate and undergraduate students from across many majors at MercyU. Student editors from the Departments of Literature & Language, and of Communication and the Arts, collaborate on the editorial decisions, design, and concept. The journal’s student editors receive hands-on experience in the editorial and production processes as they select the creative work (poetry, drama, nonfiction, fiction, and art) in a blind-review process, prepare the magazine for press, and communicate with the college community regarding its release. The journal’s website can be found at: https://redhyacinthjournal.wordpress.com/

As we plan for a 7th annual issue (2024), we are looking to assemble an all-volunteer staff of Editors. Many literary magazines are produced by not-for-profit entities such as colleges and art collectives and rely on a volunteer staff. While the positions are not paid, the Editors’ names appear in the Masthead of the journal and editorial service can be listed on one’s resume and referenced in job interviews. Serving as an editor provides graduate and undergraduate students with invaluable hands-on experience in editing, publishing, and arts administration, and allows students to make an important contribution to the Mercy community, one that will endure for years to come.

We are looking for reliable, dedicated volunteers to fill the following positions for the 2023-24 academic year. The positions will start in November 2023 and run until May 2024. All positions will operate remotely, and applicants must have access to a computer and reliable Internet and have the ability to meet at least once a week, on a weekday, Eastern Standard Time, to collaborate with the team. Some daytime availability (morning or afternoon) is required. Editors will need to submit their availability for meetings with their application. Editors cannot publish their own creative writing in the issue they are serving on.

If interested, please send your resume and a brief letter starting your interest and qualifications, the position you desire, as well as the your availability (days/times) Eastern Standard Time to the Faculty Advisor, Dr. Kristen Keckler, kkeckler1@mercy.edu no later than Oct 16, 2023.

Because the work is spread out over several months, the time commitment is manageable. Editors will be provided back issues of the journal so that they can review various versions of the finished product.

Managing Editor (Priority position)

The Managing Editor position functions as the top editorial position on the staff and manages the day-to-day operations of the journal for one cycle/issue, with the opportunity for renewal for another issue cycle, if the candidate so desires. The Managing Editor will collaborate with the Content and Design Editors to ensure that the team stays on task and that deadlines are met at key junctures in the production schedule. The position requires strong organizational skills and ability to create and maintain spreadsheets using Google.

Responsibilities include:

  • Manage the email and Google drive for the journal
  • Communicate with students/alum who submit to the journal
  • Create Google spreadsheets to track submissions and ensure a blind submission process
  • Schedule and co-lead (with the Faculty Advisor) editorial meetings
  • Communicate with the journal’s Faculty advisor about progress  
  • Coordinate and lead the proofreading process
  • Make minor changes to journal’s website

Content Editors

Content Editors will review submissions in various genres (fiction, nonfiction, poetry, drama, etc.) and determine the artistic merit/potential of each piece and its suitability for the issue of the journal. There are a limited number of Content Editor positions.

Content Editors’ responsibilities include:

  • Read/review submissions and mark notes on the spreadsheet
  • Attend Zoom meetings to discuss the submissions and decide on which content is most suitable for the issue
  • Collaborate on the order and “arc” of the journal’s creative work, deciding on, for example, which pieces have connections that can be highlighted through juxtaposition
  • Assist with light editing/proofreading
  • Assist with outreach to potential contributors about the journal
Annual Director's Welcome, Useful Program Info & Tips

Student IDs and Student/Alumni Book Club

Something of an addendum here to the “welcome” post from last week.

STUDENT ID

Grad students, whether on campus or online, can and should secure student ID cards. A student ID can get you discounts at various stores, and can usually get you access to any college or university library in your area. Students at the Dobbs Ferry campus can stop in and get your ID card in Person at the Admissions office in Main Hall. Students at a distance can secure an ID card through the mail by following these instructions:

Using your @mercy.edu email account, send a photo of your face along with your full first name, last name, and ID number (your eight-digit CWID number) to pact@mercy.edu.

 Full photo guidelines are:

  • Submit a color photo of just your face taken in last 6 months
  • Have someone else take your photo – no selfies
  • Submit a high-resolution photo that is not blurry, grainy, or pixilated
  • Use a clear and unedited image of your face; do not use filters such as those commonly used on social media
  • Face the camera directly with full face in view
  • Have a neutral facial expression or a natural smile, with both eyes open
  • Use a white or off-white background

Explain in your email that you are a distance-learning graduate student in the MA English Lit program at Mercy U, and that you would like a student ID card.

STUDENT & ALUMNI BOOK CLUB (MEETS ONLINE)

Any grad students or alumni interested in joining the student-run book club, please do! The club meets online, so you can join no matter where you might be located in the world. Please contact the club’s faculty advisor, Dr. Dugan, at sdugan@mercy.edu, for information on how to join.

Annual Director's Welcome

Welcome to the 2023-24 Academic Year

On behalf of all of the Mercy University* MA in English Literature faculty: welcome, everyone in our graduate English community, to the 2023-24 academic year. I always find the start of the fall semester and the new academic year to be an exciting, fun, wonder-filled time. Each September we get to begin again our journeys together, get to begin again our explorations across the frontiers, get to once again travel through time and place through the power and artistry of writing, words, language, text, and thereby experience together something of the thrill and mystery and sublimity of all things; all while also developing particular areas of knowledge related to your specific courses of study. It is a special thing to be a part of a graduate community such as ours, to be able to begin again like this each September, together. I hope that each of you feels something of the excitement, the fun, the wonder of it all, here at the start of the fall semester and the new academic year. And I hope that each of you brings something of that feeling into your studies and your classroom discussions.

Below in this welcome post you’ll find some program info and news, along with information about support and resources available to all of our graduate students. Please read through all of this to get caught up on what’s happening and to get in view what resources are available to you.

*A footnote! Yes Mercy College is now Mercy University, as of August 22. To be a university a college needs only to have a certain amount of graduate programs, which Mercy has, so Mercy went through the process of legally switching its designation from college to university this past year.

ZOOM ORIENTATION, Q&A, AND OVERALL WELCOME TO THE SEMESTER: THURSDAY 9/7, 6PM EASTERN

Grad English students, new and continuing, interested in gathering on Zoom this Thursday 9/7 at 6pm eastern, please contact cloots@mercy.edu for the login info. All of the professors teaching your fall MA courses are scheduled to be there to introduce themselves and answer any questions, and others will be there as well to offer guidance for navigating the graduate program: e.g. Dr. Kristen Keckler, the Chair of the Department of Literature & Language; Dr. Laura Proszak who runs the English TA program; Lydia Yearwood, the current PACT mentor responsible for all grad English students; and the Dean of the School of Liberal Arts, Dr. Peter West, might be there for a few minutes to say hello. We already have about fifteen new and continuing grad students planning to attend. Everyone is welcome and encouraged to attend so don’t hesitate to ask for the login info if you’re curious.

GRAD STUDENT RESOURCES & SUPPORT

Each active graduate student has what’s called a PACT advisor, which is basically your staff advisor and the point-person for assisting you with issues that arise or general questions you might have. As mentioned above, the PACT advisor for every graduate English student is currently Lydia Yearwood (lyearwood@mercy.edu). Also know that as the Program Director I am the faculty advisor to every graduate English student, so you can always contact me at cloots@mercy.edu. I am here to help, always.

Student Support Services is the general office/portal where you can find info about many of the things that students normally need info about. Note that practically all of Mercy University’s support services have some online variation, and so are available for our distance learning students.

The College’s Office of Accessibility is the place to contact if you need to discuss or register any accommodations.

We also have an office of Counseling Services for those in need.

The Center for Academic Excellence and Innovation (CAEI) provides tutoring (including online tutoring) and other such assistance for those who want some help with their writing and researching. Occasionally a professor might recommend that you seek additional help with your writing, and the CAEI is the place you can get it, whether on campus or online.

Mercy has extensive online library resources. JSTOR Language & Literature, MLA International Bibliography, and Academic Search Premier are the main databases in the field of literary research, though there are many other databases available online through the library. Additionally, Mercy College has digitized versions of many scholarly books. To search the ebook selection use the advanced search option for the library catalog and under “format” select “EBook.” Then search away and check-out/download any useful books you find. For general research help and an overview of basic research methods, you might find useful this online guide that librarian Miranda Montez created specifically for the MA English program. And don’t hesitate to make use of interlibrary loan to secure any materials (such as academic journal articles, etc.) that you need but which Mercy might not have on hand. Librarians can secure materials using interlibrary loan and send scanned PDFs to students at a distance, within fair use and copyright allowance.

On this post here you’ll find important information about the incomplete “I” grade which some of you might occasionally receive. It’s critically important that students recognize that there is a time-limit past which incompletes cannot be fixed, after which all credit and tuition for the incomplete course is lost.

For those approaching their last semester, you must pay attention to your required comprehensive exam, to the instructions for how to enroll in the final 599 course, and to the application form you must complete in order to actually graduate. Also note that the format for the 599 thesis paper involves some in-house style requirements, which are explained here.

PROGRAM LEARNING OUTCOMES AND ENGL 599 MASTER’S THESIS ASSESSMENT RUBRIC

The program’s “student learning outcomes” are the big-picture things we hope you are developing throughout your time the program, and all of your courses in one way or another are geared around developing one, some, or all of those outcomes. We have a rubric keyed to those outcomes that we use when reviewing your final 599 thesis papers. You can see that rubric by clicking here. Even though we don’t apply the rubric systematically to papers written for courses prior to the 599 tutorial, it’s a good idea to look at it since more or less the things listed on the rubric are the things we’re considering when reviewing all of your papers for just about any course in the program. The rubric and the outcomes, and our 599 assessment practices, as well as the sharing of this information with students, are all requirements of our university’s accreditation.

THE SCHOOL OF LIBERAL ARTS ANNUAL “THEME”

Each year faculty from across the entire School of Liberal Arts (SLA) vote on a “theme” for the year. The theme becomes the focus for various SLA events and activities. The SLA theme for 2023-24 is “perception.” The SLA Dean’s Office has provided the following description:

Perception is the process by which humans apprehend their surroundings and make sense of the world that they inhabit. It is a physical phenomenon that engages all five senses. But it is so much more than the sum total of sight, smell, sound, taste, and touch. As a form of consciousness, perception also carries intellectual and spiritual connotations. Nor is perception a neutral process. It can (and does) vary considerably between different people, across cultures, and over the course of an individual’s life.

You might informally keep the SLA theme of “perception” in mind when designing things like research-topics for your course papers. You might even create something based on the theme to present at the annual Graduate English Student Symposium in spring 2024. It’s not too early to start thinking about attending and presenting at the spring symposium.

ONWARD WE GO

Okay, that’s it for the welcome post! Thank you, everyone, for all of your work and effort. As always, if anyone has any questions about anything, please let me know at cloots@mercy.edu. Once again, welcome, everyone, to the 2023-24 academic year here in the Mercy College MA in English Lit program. Onward we go, together.

This is the director's blog for the Mercy University MA in English Literature Program. This is not the official University site.