General registration for Summer and Fall 2021 opens simultaneously on 3/22; however early registration for veterans opens on 3/15. Registration typically begins about 9am eastern time. It is not on a timer and begins only when the Registrar personally activates the system, so it might not be at 9am sharp but it should start around that time. (Veterans who want to check that they are registered as such with the college should contact Erika Tremblay at email@example.com.)
Some courses do fill up quickly, some even early on the first day of registration. If a course you are interested in is full by the time you go to register, you can get on the waitlist for the course. Being on the waitlist often works out, but it’s best to register for the next-best courses you see available and get on the waitlist for preferred courses, just in case the waitlist does not work out. Instructions for using the waitlist can be had by contacting the MA program’s PACT advisor Erika Tremblay at firstname.lastname@example.org. Note that being on the waitlist does not automatically place you into the course if a seat opens up; instead, the waitlist system sends an email to your college email address if a seat opens alerting you that you have 24 hours to claim the seat. If you don’t claim the seat within that window of time, the next person on the waitlist will get the email and the 24-hour window. If no one on the waitlist claims the seat in time, the vacant seat opens up to general registration.
Below are the course offerings for fall and summer, listed in that order. Note that we always run a shorter summer schedule because many students in the MA program don’t take summer courses, and prefer to follow the traditional fall/spring pattern. Currently we have six courses scheduled for fall. If those six courses fill up well ahead of September then a seventh course will be offered, but for now we are estimating that six courses will suffice.
ENGL 500: Theory of Criticism (Dr. David Kilpatrick – DLA section; Dr. Boria Sax, DLB section)
- An introduction to some of the major movements and figures of the theory of criticism. The question “what is literature?” is a primary concern of this course. Such an inquiry necessarily engages other, closely affiliated signifiers such as work/text, writing, reading, interpretation, and signification itself. After brief encounters with ancient antecedents and seminal moderns, influential contemporary approaches to the question concerning literature and its cultural significance will be engaged. An assessment of the relative strengths and weaknesses of current trends in the practice of literary criticism, and their theoretical groundwork, is the ultimate objective of this course.
NOTE 1: The professor of the DLA section of this course plans to hold optional weekly supplementary zoom sessions. The specifics will be shared by the professor at the start of the semester. Attending such zoom sessions is not required, as all courses in the MA program are asynchronous in order to best accommodate the schedules and lives of our graduate students. Such zoom sessions will only every be optional and supplementary to the core course requirements.
NOTE 2: This is the program’s core course, meaning the course that everyone must take and for which there are no alternative course options. This course runs once each fall semester, so if you’re aiming to graduate at the end of fall 2021, spring 2022, or summer 2022 and have not yet completed 500, you must enroll in this for fall 2021. The next instance of the course will be fall 2022.
NOTE 3: Registration for this course requires a permit, which the Program Director will give to anyone on-pace to complete their degree prior to fall 2022. Contact your PACT mentor Erika Tremblay (email@example.com) or the Program Director (firstname.lastname@example.org) to request a permit.
ENGL 509: Perspectives on the Essay (Dr. Kristen Keckler)
The course studies the essay as a distinct literary genre; some of its characteristics and types; some of its history; and some of its role in reflecting authorial consciousness. Further, this course examines the taxonomy of the essay in terms of its medium (verse or prose), its tone and level of formality, its organizational strategies, and its relationship to its audience and to particular modes of literary production (diary, letter, manuscript, book, magazine, newspaper, podcast, blog, etc.). 3 credits. (Fulfills either the Writing & Literary Forms requirement or an elective.)
ENGL 515: Magic in Literature (Dr. Boria Sax)
This course examines alchemy, together with related activities that now impress us as “magical,” as a virtually all-inclusive discipline which laid much of the foundation for later literature, art, and science. It looks at the beginnings of alchemy in the ancient world, and how these developed, along with the revival of Classical learning, in the Renaissance. Finally, it looks at the continuing influence of magic in Romantic, Modern, and Post-Modern literature and culture. Readings typically include works by Hesiod, Ben Johnson, Shakespeare, E. T. A. Hoffmann, J. K. Rowling and others. Textbooks include The Occult Philosophy in the Elizabethan Age by Frances Yates. 3 credits. (Fulfills an elective by default, but can work for a Literature Group 1 requirement if needed.)
NOTE: The MA program cycles numerous different courses under the catalog codes of 514, 515, 540, and 560. Students can take multiple instances of 514, 515, 540, and 560 courses as long as the title of the course is not the same as before. This Magic and Literature course ran most recently as 540. You cannot take this course again if you took it earlier as 540.
ENGL 540: Medieval Literature: Seven Deadly Sins – Then and Now (Dr. Jessica Ward)
This course brings together a wide range of late medieval texts in Middle English and in translation, including Arthurian legends and bawdy romances, in order to understand how this historical period, so far removed from our own, conceived of the seven deadly sins. While this course focuses on medieval literature, our semester long question concerns how our own conceptions of the vices are different or similar to that of their manifestations in the texts we read. We interrogate the ways in which the medieval writers explore their own culture and a cluster of enduringly engaging issues: ethical, sexual, theological, and political. 3 sem hrs. 3 crs. (Fulfills a Literature Group 1 requirement or an elective.)
ENGL 545: Literature of the Left Bank, Paris (Dr. Christopher Loots)
This course examines the diverse people, culture, and writings of the expatriate community of the Parisian Left Bank during the modernist movements of the early- and mid-twentieth century. Authors covered typically include Edith Wharton, Ernest Hemingway, James Joyce, Hilda Doolittle, Andre Breton, Mina Loy, Nancy Cunard, Zelda Fitzgerald, Richard Wright, and James Baldwin, among others. In the course of our studies we will consider the significance of Sylvia Beach’s Shakespeare & Company bookstore and lending library, and of intellectual and artistic salons such as those of Natalie Barney and Gertrude Stein. An emphasis will be placed on studying the cultural geography of this Paris location which attracted so many of the world’s great writers and artists and gave rise to so many works now considered twentieth century literary masterpieces. 3 credits. (Fulfills a Literature Group 2 requirement or an elective.)
ENGL 560: Hip Hop Literature & Culture (Dr. Dana Horton)
Hip hop is a global phenomenon. It started as a form of black expression in the Bronx, NY and has morphed into an international, multicultural powerhouse. This course introduces students to hip hop culture by examining some of the major concepts and political issues that shape the culture. Through listening to hip hop music, analyzing lyrics, reading articles, and watching documentaries, students will learn more about the themes and debates within the culture. This course will take a cultural-studies approach to studying hip hop; will consider the history and politics of New York City in the 1960s-70s as this is crucial to understanding hip hop’s birth, as well as the connection amongst space, power, inequality, and racial dynamics. Questions we will consider include: What is hip hop culture? What are the similarities and differences between old-school hip hop and contemporary hip hop? Why are hip hop lyrics often taken at face value when many rappers exaggerate and lie? Why are some hip hop sub-genres prone to using lyrics and imagery that is misogynistic and/or homophobic? What do you think about prosecutors who use hip hop lyrics against rappers in court? How has hip hop’s large international presence changed the genre and culture? What can we learn about American history and culture through studying hip hop? (Fulfills a Literature Group 2 requirement or an elective.)
NOTE: Please understand that because we will examine the unedited versions of lyrics, music videos, and artwork, the course materials will contain language that is profane, offensive, violent, and/or controversial. Prior familiarity with hip hop is not required, but being open to learning more about hip hop is a must. Please approach the course material with an open mind.
ENGL 514: An Introduction to the History of Textual Transmission (Dr. Jessica Ward)
This course introduces students to critical bibliography, a fast-growing and emerging field that seeks to bring the bibliographic tradition into dialogue with the critical and theoretical insights of twenty-first century humanities scholarship. Students explore the creation of texts across centuries and technologies—from manuscripts to e-books—and consider how meaning and materiality relate. (Fulfills an elective by default but can work for a Literature Group 1 or 2 requirement if needed.)
ENGL 515: Mastering the Past, Literature and National Myths (Dr. Boria Sax)
Every country likes to see itself as heir of to a glorious past, filled with heroic and ultimately successful struggles against oppression. But the construction of such a narrative always leads to the repression or trivialization of uncomfortable aspects of the past. Important authors of Antiquity such as Homer and Virgil have created national myths, while others such as Sophocles and Euripides have challenged them. If the myths themselves can often serve to rationalize complaisance, injustice and chauvinism, correcting them involves hazards as well. It can reopen old resentments, leave people disoriented, and open the way for other, similarly dangerous illusions. This course will look at the contrasting ways in which modern and contemporary writers have tried to come to terms with the collective past, and will likely include readings by Faulkner (USA), Sebald (Germany), Solzhenitsyn (Russia), Lampedusa (Italy) and Ishiguro (Britain and Japan). Students will endeavor to evaluate their intellectual strategies, especially in the light of current controversies such as whether we should continue to display statues that commemorate dubious legacies. Questions to be addressed will include: Can we ever truly come to terms with the past? Can the brutalities of history ever be redeemed or compensated for? What lessons, if any, can we legitimately learn from history? Are some aspects of history better left forgotten? (Fulfills an elective by default but can work for a Literature Group 2 requirement if needed.)
ENGL 525: Victorian Age in Literature (Dr. Sean Dugan)
This course will explore representative literature and the culture of the Victorian Age (1837 – 1901), a period of exploration, industrialization, empire, and imperialism. The poetry and novels of Tennyson, Carroll, the Brontes, Eliot, Wilde, and others will be considered from a variety of critical approaches. Particular attention will be given to the importance of gender, class, and societal expectations. (Fulfills a Literature Group 1 field requirement or an elective.)