One of the Program’s esteemed emeritus professors, Dr. Donald Morales, has contacted me with a new course idea. By his approval I’m sharing his synopsis here in hopes of measuring student interest in such a course. He writes: “I am working on a project that explores the term ‘Afropolitanism,’ a word coined by Taiye Selasi in a 2005 essay. The term murkily defines the young African artists who have settled in a number of cosmopolitan capitals in Europe and North America and, specifically in literature, have produced a number of intriguing works that describe their hybrid status and identity. The term has also engendered a lot of criticism and controversy. Some of the works include Chimamanda Ngozi Adichie’s Americanah, Teju Cole’s Every Day Is for the Thief and Open City, Taiye Selasi’s Ghana Must Go. I would also include a study I did on transplanted African dramatists and actors in London who have created a number of powerful dramas and film appearances around the same subject.”
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